k Japan Tiger, Kagurazaka Bishamon. Ukiyoe woodblock print by Toyohara Yoshu Chikanobu 18381912 A boy is dressed like the Buddhist Guardian King Bishamonten, holding a trident and wooden pagoda that represents the relics of the historical Buddha. The boys mother holds a calico cat a tiger symbol while the family servant giggles and points at her young master. The inset shows a temple hall dedicated to Bishamonten, whose name appears on the red paper lantern inside the door.brbrThe inset shows a temple hall dedicated to Bishamonten, whose name appears on the red paper lantern inside the door.The gateway has modern wrought iron panels affixed to a traditional stone gatepost, and a rickshaw is being pulled down the street all indications of the However, the stores seem to be traditional buildings, and the merchants have contributed the red paper lanterns that flank the gate, reading midmerchants. However, the stores seem to be traditional buildings, and the merchants have contributed the red paper lanterns that flank the gate, reading midmerchants shonai chu association 1893. brbrToyohara Chikanobu 18381912, better known to his contemporaries as Ysh Chikanobu, was a prolific woodblock artist of Japans Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.brbrbrThe work of Toyohara Chikanobu 18381912, better known to his contemporaries as Ysh Chikanobu, was a prolific woodblock artist of Japans Meiji period.In 1875 Meiji 8, he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In his younger days, he had studied the Kan school of painting but his interest was drawn to ukiyoe.brbrIn 1875 Meiji 8, he decided to try to make a living as an artist.Like many ukiyoe artists, Chikanobu turned his attention towards a great variety of subjects. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is wellknown for his impression. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is wellknown for his impressions of the mie formal pose of kabuki productions.brbrbrThese are the first two works of the series.Chikanobu was known as a master of bijinga, images of beautiful women, and for illustrating changes in womens fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and makeup across time. Editorial Stock Photo - Afloimages
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Japan: Tiger, Kagurazaka Bishamon. Ukiyo e woodblock print by  Toyohara  Yoshu Chikanobu  1838 1912   A boy is dressed like the Buddhist Guardian King Bishamonten, holding a trident and wooden pagoda  that represents the relics of the historical Buddha . The boy s mother holds a calico cat  a  tiger  symbol  while the family servant giggles and points at her young master. The inset shows a temple hall dedicated to Bishamonten, whose name appears on the red paper lantern inside the door. br   br  The inset shows a temple hall dedicated to Bishamonten, whose name appears on the red paper lantern inside the door.  The gateway has modern wrought iron panels affixed to a traditional stone gatepost, and a rickshaw is being pulled down the street   all indications of the However, the stores seem to be traditional buildings, and the merchants have contributed the red paper lanterns that flank the gate, reading  mid merchants . However, the stores seem to be traditional buildings, and the merchants have contributed the red paper lanterns that flank the gate, reading  mid merchants   shonai chu  association  1893 .  br   br    Toyohara Chikanobu  1838 1912 , better known to his contemporaries as Y sh  Chikanobu, was a prolific woodblock artist of Japan s Meiji period. His works capture the transition from the age of the samurai to Meiji modernity. br   br   br  The work of Toyohara Chikanobu  1838 1912 , better known to his contemporaries as Y sh  Chikanobu, was a prolific woodblock artist of Japan s Meiji period.  In 1875  Meiji 8 , he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In his younger days, he had studied the Kan  school of painting  but his interest was drawn to ukiyo e. br   br  In 1875  Meiji 8 , he decided to try to make a living as an artist.  Like many ukiyo e artists, Chikanobu turned his attention towards a great variety of subjects. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well known for his impression. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well known for his impressions of the mie  formal pose  of kabuki productions. br   br   br  These are the first two works of the series.  Chikanobu was known as a master of bijinga, images of beautiful women, and for illustrating changes in women s fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make up across time.
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Japan: Tiger, Kagurazaka Bishamon. Ukiyo-e woodblock print by (Toyohara) Yoshu Chikanobu (1838-1912)

A boy is dressed like the Buddhist Guardian King Bishamonten, holding a trident and wooden pagoda (that represents the relics of the historical Buddha). The boy's mother holds a calico cat (a 'tiger' symbol) while the family servant giggles and points at her young master. The inset shows a temple hall dedicated to Bishamonten, whose name appears on the red paper lantern inside the door.<br/><br/>The inset shows a temple hall dedicated to Bishamonten, whose name appears on the red paper lantern inside the door. The gateway has modern wrought iron panels affixed to a traditional stone gatepost, and a rickshaw is being pulled down the street - all indications of the However, the stores seem to be traditional buildings, and the merchants have contributed the red paper lanterns that flank the gate, reading 'mid-merchants'. However, the stores seem to be traditional buildings, and the merchants have contributed the red paper lanterns that flank the gate, reading 'mid-merchants' (shonai chu) association (1893). <br/><br/> Toyohara Chikanobu (1838-1912), better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.<br/><br/><br/>The work of Toyohara Chikanobu (1838-1912), better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In his younger days, he had studied the Kanō school of painting; but his interest was drawn to ukiyo-e.<br/><br/>In 1875 (Meiji 8), he decided to try to make a living as an artist. Like many ukiyo-e artists, Chikanobu turned his attention towards a great variety of subjects. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impression. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impressions of the mie (formal pose) of kabuki productions.<br/><br/><br/>These are the first two works of the series. Chikanobu was known as a master of bijinga, images of beautiful women, and for illustrating changes in women's fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make-up across time.

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177779511

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Creation date
05-01-2022

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