k China Tibet The Buddhist Deities Chakrasamvara and Vajravarahi, Newari thangka, c. 15th century The Cakrasavara Tantra, Chinese shngl jngng Tibetan Korlo Demchog Gyud Tibetan Wylie Khor lo sdom pa bde mchog gi rgyud is considered Wylie Khor lo sdom pa bde mchog gi rgyud is considered to be of the mother class of the Anuttara Yoga Tantra in the IndoTibetan Vajrayana Buddhist tradition.The central deity of the mandala, a heruka known as Savara variants Savara Sabara or simply as r Heruka, is one of the principal ihadevat, or meditational deities of the Sarma schools of Tibetan Buddhism.brbr The mandala, a heruka known as Savara variants Savara Sabara or simply as rSavara is typically depicted with a bluecoloured body, four faces, and twelve arms, and embracing his consort Vajravarahi in Chinese Fri Other forms of the deity are also known, with varying numbers of limbs. consort are not to be thought of as two different entities, as an ordinary husband and wife are two different people in reality, their divine embrace is a metaphor for the union of great bliss. SaLl_1E43vara and consort are not to be thought of as two different entities, as an ordinary husband and wife are two different people in reality, their divine embrace is a metaphor for the union of great bliss and emptiness, which are one and the same essence. Editorial Stock Photo - Afloimages
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China   Tibet: The Buddhist Deities Chakrasamvara and Vajravarahi, Newari thangka, c. 15th century The Cakrasa vara Tantra, Chinese:      sh ngl  j ng ng  Tibetan: Korlo Demchog Gyud  Tibetan:                            Wylie: Khor lo sdom pa   bde mchog gi rgyud  is considered Wylie: Khor lo sdom pa   bde mchog gi rgyud  is considered to be of the mother class of the Anuttara Yoga Tantra in the Indo Tibetan Vajrayana Buddhist tradition.  The central deity of the mandala, a heruka known as Sa vara  variants: Sa vara   Sa bara  or simply as  r  Heruka, is one of the principal i  ha devat , or meditational deities of the Sarma schools of Tibetan Buddhism. br   br   The mandala, a heruka known as Sa vara  variants: Sa vara   Sa bara  or simply as  r   Sa vara is typically depicted with a blue coloured body, four faces, and twelve arms, and embracing his consort Vajravarahi  in Chinese Fri Other forms of the deity are also known, with varying numbers of limbs. consort are not to be thought of as two different entities, as an ordinary husband and wife are two different people  in reality, their divine embrace is a metaphor for the union of great bliss. Sa Ll_1E43vara and consort are not to be thought of as two different entities, as an ordinary husband and wife are two different people  in reality, their divine embrace is a metaphor for the union of great bliss and emptiness, which are one and the same essence.
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China / Tibet: The Buddhist Deities Chakrasamvara and Vajravarahi, Newari thangka, c. 15th century

The Cakrasaṃvara Tantra, Chinese: 胜乐金刚 shènglè jīngāng; Tibetan: Korlo Demchog Gyud (Tibetan: འཁོར་ལོ་སྡོམ་པ / བདེ་མཆོག; Wylie: Khor lo sdom pa / bde mchog gi rgyud) is considered Wylie: Khor lo sdom pa / bde mchog gi rgyud) is considered to be of the mother class of the Anuttara Yoga Tantra in the Indo-Tibetan Vajrayana Buddhist tradition. The central deity of the mandala, a heruka known as Saṃvara (variants: Saṃvara & Saṃbara) or simply as Śrī Heruka, is one of the principal iṣṭha-devatā, or meditational deities of the Sarma schools of Tibetan Buddhism.<br/><br/> The mandala, a heruka known as Saṃvara (variants: Saṃvara & Saṃbara) or simply as Śrī Saṃvara is typically depicted with a blue-coloured body, four faces, and twelve arms, and embracing his consort Vajravarahi (in Chinese Fri Other forms of the deity are also known, with varying numbers of limbs. consort are not to be thought of as two different entities, as an ordinary husband and wife are two different people; in reality, their divine embrace is a metaphor for the union of great bliss. Sa↪Ll_1E43vara and consort are not to be thought of as two different entities, as an ordinary husband and wife are two different people; in reality, their divine embrace is a metaphor for the union of great bliss and emptiness, which are one and the same essence.

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06-01-2022

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